![]() Lennon, founding member of The Beatles, played rhythm formidably, as evidenced by rock-steady chording, deft figures ("I Feel Fine"), rapid-fire triplets ("All My Loving"), delicate jazz fingerings ("Til There Was You"), and fine fingerpicking ("Julia," "Look at Me"). Although he had played some Chuck Berry-type leads in the band's early days, Lennon gladly turned over those duties to George Harrison. In the studio, however, he did like to keep his hand in. Lennon's first lead on record occured on 25 February 1964, on his composition "You Can't Do That," followed a few days later by a solo on "Long Tall Sally" (a song the boys nailed in one take). There followed solos on, among other songs, "Every Little Thing," "Get Back," "I Want You (She's So Heavy)," "Happiness Is a Warm Gun," "Yer Blues," "Honey Pie," "Ballad of John and Yoko," a slide solo on "For You Blue," and, alternating with Harrison and Paul McCartney, "The End." Lennon did all the lead work on his first solo album, Plastic Ono Band, but on subsequent outings relied on Harrison, Eric Clapton and Jessie Ed Davis, among others. In the course of his career he traded riffs onstage with Chuck Berry, Keith Richard, Clapton and Frank Zappa. His last piece of guitar playing, a manic lead on Yoko Ono's "Walking On Thin Ice" (12/80), showed his self-described "primitive" lead playing at its zenith.
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Long thought missing, this guitar
recently turned up and was auctioned through
Sotheby's. The auction house called on original
Quarrymen member Rod Davis to help authenticate the
guitar, and in a Liverpool Echo story
he remembers that when the band played that famous
fete "John took the skin off the edge of his index
finger while playing," and when Davis changed one of
the strings on Lennon's guitar, he noticed a spot of
blood inside. So Davis recounted that
story to Sotheby's and advised them to look inside for
the spot, and "although faint, it was still
there." So where has it been all these years? In its auction coverage, the Times of London reported that "when the Beatles became successful, Lennon left the guitar in the care of his guardian, Aunt Mimi. After his murder, she gave it to a family friend who had a disabled son. When the boy died, it was passed to another disabled friend, who is now in her twenties. Her stepfather sold it to safeguard her future." The Sotheby's catalogue adds that "a
percentage of the proceeds from the sale of this lot
will be donated to the Olive Mount Learning
Disabilities Directorate, Liverpool."
Interestingly, it also includes excerpts of an undated
document accompanying Mimi Smith's donation: "Her
typewritten and signed letter, sent from her home in
Sandbanks, Poole, states, 'With regards to the request
for items in support of your Liverpool handicapped
musicians appeal, most requests I have to refuse,
however, in this case I feel able to make an exception
. . . The poor old guitar was in such a state when I
found it I had it professionally repaired . . . I hope
that through you John's possessions can bring pleasure
. . .' " The guitar, which was auctioned
together with the trunk it sat in for years, now
sports a brass plaque Mimi had mounted on the
headstock memorializing her advice to the young,
guitar-happy Lennon: "Remember, you'll never earn your
living by it." So whence this mythic instrument? An anonymous bidder later identified as a "private collector" named Adam Sender got it for £155,000 (about $250,000). In the fall of 2000 this guitar went on display at Boston's Museum of Fine Art.
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![]() If this guitar -- one of the first electric models made in Britain -- is the "Manchester Mystery Guitar," Lennon apparently hid it in the loft at Mendips, his Liverpool home, for he was never photographed with it. Except for one visitor who got a brief glimpse of it in the kitchen, and another local who remembers Lennon looking for a case for it, the Tuxedo remained unseen until 1996, when workmen found the guitar, along with two banjo magazines, in the loft. Shortly after, Ernie Burkey, the man who'd bought Mendips, allowed two friends of his nephew Alan Stratton to visit the famous Beatles homestead. Burkey showed the two -- Johnny "Guitar" Byrne and American Beatles expert Larry Wassgren -- the items that workmen had found and, knowing the visitors were Beatles fans, gave them to the astonished pair, who reckoned that the Tuxedo was most likely the long-rumored purloined Manchester guitar. Wassgren graciously turned the Tuxedo over to Stratton, and it was to be auctioned by Bonhams in July 2012. While there's no photographic proof of this guitar being the one referred to in Beatles lore, it must be considered a strong candidate. Doubters include Beatles archivist Mark Lewisohn, who told this writer that one of the band's friends went along with them to the competition and saw Lennon take a guitar but described it as "a complete piece of rubbish." So, for the time being, the Manchester Mystery Guitar remains just that. Note:
While most accounts place Johnny and the Moondogs'
Manchester appearance in 1959,
Tim Fletcher's excellent research piece dates the event a year earlier. |
![]() The two visitors were taken upstairs to Lennon's old bedroom, unoccupied since his departure and used for storage. On the bed, the guitar found in the loft. |
![]() Larry Wassgren with Johnny Byrne's Guyatone and an unidentified Strat, and Byrne with the Manchester Mystery Guitar. |
![]() Wassgren with Ernie Burkey, whose thoughtful gift to two Beatle fans solved an old mystery. |
Onward to Part 2 |
(c)2000, 2015 John F. Crowley